I have a piece in Make Me Money and Don’t Piss me Off an unofficial The Apprentice poetry anthology by SPAM zine.
My writing, a collaborative piece with Lousie Evans, is a spoof wikiHow article about how to get your boss to listen to you.
It’s £3 and you can buy it here.
After feeling anxious for years, first in childhood stomach aches, then in the mid-twenties chest pains, both times with the dread, the worry, the terror, a doctor said to me: So, do you wanna go on sertraline?
And I said: Yeah.
The person Laura was fucking at the time, a quiet Irishman into watersports like Joyce, was on it and said it was a miracle for anxiety. I wanted to give it a try. The doctor asked me if I’d ever hurt myself and I said: Yeah, yeah I’ve hit myself, punched my face when I was drunk.
But she said that didn’t count, so, fine. I also stayed on the propranolol, beta blockers which I had been prescribed a few months before and took if I ever felt anything too unpleasant ever.
My partner’s sister was also prescribed SSRIs, coincidentally on the same day. It was late January and that was the sort of thing that happened. I went over to their house after the first tablet made me feel like I was not in the same body or world as before. Gemma cooked me and their sister a special dinner, one that had comforted the siblings in childhood. They were close, and sometimes I thought things about that, how they had been married as children, how they lived together still and how one time Gemma had said that living with their sister alone would be the same as living alone. I didn’t know how I fit into that. Not that I wanted to be Gemma’s only one, we were non-monogamous, but because sometimes I felt like I was taking things away from their sister, especially because we were both women (and wasn’t my relationship with Gemma, although they weren’t a woman, perhaps sisterly, perhaps female-friendshipy) and the same age although I felt younger and silly like a loud little girl who made ridiculous decisions.
So, now we were on SSRIs. After dinner, I lay with my head on Gemma’s stomach listening to its rumblings, as I did with my mother as a child, and feeling slightly aroused by their breasts above me. (Later my counselor would call this encounter womb-like and mine and Gemma’s relationship nourishing for me.) Their house, as well, was sustaining, with love and warmth and tidiness, the smell of washing. I will probably always associate their house with the first time people saw me as being a queer person (I say first as if it is for certain that people will see me like that again), as well as my sense of being a phoney. I knew the right words but not in practice, I didn’t top or bottom. Being queer to me then was just being swaddled and not having to explain the pain.
(And, when I did touch their breasts I felt like a teenage boy, not a grown woman. I couldn’t believe I was allowed, I was obsessed with pulling down the tight fabric covering the gap between the two. They laughed at me, said I was always horny like a dirty old man. They said: Oh, you only knew you were queer when you touched boobs.)
Read the rest of this essay on Entropy.
I had a short piece of fiction published on Severine Lit.
In Italy, we were together every afternoon. I liked this even when he dominated me, said this is the way we look around a museum, we tend to have a nap at this time, and get on the bed and let me see you touching yourself. What else could I do? I couldn’t speak Italian, I didn’t know what foods were the correct ones to order.
In Italy, I was really beautiful, more beautiful than him. At a restaurant, on my last night there, I wore a dress that made him feel good about himself. It was a wrap dress, bright and revealing. I knew it made him feel good about himself because when I put it on he told me. I reminded myself of my mother in Italy, wanting the holiday, capitulating to a man and of course being really beautiful.
“As a child I had my rituals”
I have a poem in The Aleph Anthology, The Sacred Exists To Be Found. Available to buy here.
I spoke to Jessica Andrews and Jack Young about my writing, sexuality and painful childhood for their Tender Buttons podcast.
I wrote about crying on my birthday for Oh Comely magazine’s 50th edition. Below is an extract:
I turned 29 this year and, on my birthday, planned to meet my boyfriend in the William Morris Gallery. When he got there though, strolling in confidently I imagine, he couldn’t find me. I had arrived before him and had been crying in the toilet, looking at my wet, red face in the mirror. You’re allowed to do this on your birthday.
When we did meet, I was glad to see him, pleased not to be alone. He asked me what was wrong and I said it was to do with my hair looking stupid and my new dress flapping too much in the wind. Later, the wrapping paper he had used for my present flew out of my hand and down the road, hot pink against the grey, March day. We decided to chase after it.
Once as a child my mum shouted at me on my birthday and made me cry. I can’t remember the exact reason why, instead I recall the cake, a special one I had admired beforehand in Sainsbury’s, decorated with thick, pink icing and girly sweets, as well as her cross face at the top of the stairs, white against her black hair. Later she told me that she had lost her temper because I was about to go to my dad’s house and spend the rest of my birthday there. Either that or she didn’t tell me and I worked it out myself.
Buy the magazine here.
Anthony Elliott has made this beautiful piece concerning the river Thames and information about mushrooms, voiced by me and Wail Qasim, we read from Food for Free by Richard Mabey and Edible Fungi by John Ramsbottom.